New Projects
Roman villa meets modernity
- Casa tres Patis _ Twobo Arquitectura
- Interview _ Alberto Twose, María Pancorbo, and Pablo Twose + Michèle Woodger
Ecosystems reclaimed in concrete walled labyrinth
- Cortés Sea Research Center _ Tatiana Bilbao Estudio
- Interview _ Alba Cortés + Herbert Wright
Reconstructing the memory of sugarcane industry
- Pilar Factory in Motril _ Cayuelas Arquitectos + Desarrollo Urbano
- Interview _ Antonio Cayuelas Porras + SoWon Kim
Pavilions of plant life under heritage steelwork
- Expo Cultural Park Greenhouse Garden _ Delugan Meissl Associated Architects
- Interview _ Roman Delugan + Herbert Wright
Nestled low, parallel to the foot of the mountain
- Inland Ornamental Fish Business Center _ Sowayo Architects
- The difficult case of reading good architecture _ Myung Seok Hyun
The Art of Not Seeing through
Small Galleries
Anti-transparent Architecture _ Insung Kim
Reborn red ironclad amid jammed residential block
- Space Woon Gallery _ More Less Architects
- Bridging the gap between the demand and the vision _ Jinho Park
Layers of gaze between the city and rocky backdrop
- Gguggum Art Center _ SMART Architecture
- Interview _ Guncheol Kim + YuMi Hyun
Stacked and intersected on irregular plot
- Leeahn Gallery Daegu _ Piljoon Jeon
- Profane Salvation _ Insung Kim
Embracing the slope, framing the landscape
- Futura Seoul _ WGNB + PSPTVS
- Interview _ Jonghwan Baek, Wonbang Kim + YuMi Hyun
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C3 no.437 (2025-3/6)
New Projects
This edition features five distinctive new projects: a courtyard house inspired by classical Mediterranean villas (Catalunya, Spain); a marine research center envisioned as a passage to the hidden world beneath the sea(Mazatlan, Mexico); a museum that reclaims the industrial legacy of a former sugar factory(Granada, Spain); three glass pavilions rising atop preserved steel structures(Shanghai, China); and a business center that gently nestles into the rolling foothills of its site(Sangju, Korea).
The Art of Not Seeing through
Small Galleries
The feature section, Anti-Transparent Architecture, spotlights four small-scale exhibition spaces tucked within dense urban settings. These compact yet resonant spaces stand on their own amid extreme spatial constraints, offering an experience of “invisible architecture” that is tactile, layered, and sensorially rich precisely because it resists transparency.
C3 no.437 (2025-3/6)
New Projects
This edition features five distinctive new projects: a courtyard house inspired by classical Mediterranean villas (Catalunya, Spain); a marine research center envisioned as a passage to the hidden world beneath the sea(Mazatlan, Mexico); a museum that reclaims the industrial legacy of a former sugar factory(Granada, Spain); three glass pavilions rising atop preserved steel structures(Shanghai, China); and a business center that gently nestles into the rolling foothills of its site(Sangju, Korea).
The Art of Not Seeing through
Small Galleries
The feature section, Anti-Transparent Architecture, spotlights four small-scale exhibition spaces tucked within dense urban settings. These compact yet resonant spaces stand on their own amid extreme spatial constraints, offering an experience of “invisible architecture” that is tactile, layered, and sensorially rich precisely because it resists transparency.